space

The article describes oppositions of spatial code and shows the ways of its representation in the poems of Elena Shvartz. Special features of how the spatial code functions in the author’s artistic world are also considered. The correlation between the poet’s choice of a particular spatial opposition and the artistic message is identified.

Against the vogue for Russia in British travel books of the 1930s, the paper brings back to light James Hilton’s novel Knight Without Armour (1933), set mainly in Russia in Revolutionary years. This entertainment novel is shown to lack the excessive political stance on Russia found in the travel genre of the period. Hilton creates a nice balance between general Western stereotypes of Russia and his individual vision, thus normalizing the reception of Russia for Western reader.

The article analyzes the principles of space and plot interaction in Lermontov’s Taman. The author examines the features of mythologizing space. The plot roles of the characters and the paradoxes of Pechorin’s behavior are studied. The correlation of the incident and destiny in the development of the plot is specified. A special place of the story in the semantic structure of Pechorin’s Diary is revealed.

The article offers a comparative lexico-semiotic study of the concepts of the folklore picture of the world on the basis of the genre of the folk ballad. On the basis of the thesaurus description of the most frequent lexemes, denoting the boundary loci of entry and exit in the English and Russian houses, the author analyzes the similarities and differences in the socio-cultural representations of the two peoples.

The article considers the techniques of formal organization of the transcendent lyric poetry and the peculiarity of its spatial structure. Different types of poetic transcendence are analyzed on the example of N. Gumilyov’s poems, their characteristic features are singled out.

In the article an attempt is made to analyze the peculiarity of the structure of space in Dina Rubina’s novel «High Water Venetians». Venice is viewed as a field with a nuclear and peripheral spheres. Field analysis of language components allows to see a live, evolving image of the city directly linked to the internal state of the main character.

The article deals with various aspects of interrelation between plot and space structure of Klaus Mann’s émigré novel «The Volcano». The author of the article analyzes the heroine of the novel crossing the symbolic border between the world of the dead and the living, which presupposes crossing the border between different zones of the exile space. In the article it is shown that sacrifice is a necessary condition of the border crossing.

The article investigates strange transformations which occur to the categories of time and space in the story “Nevsky Prospekt”. An attempt is undertaken to explain the concentration of these metamorphoses on the stylistic level of the story and to confirm the psychic nature of the strange as a certain world lookout ingrained in the subject’s consciousness.

In this article the approaches to the research of the poetic and song heritage of S. Surganova are outlined; the author’s ideas of time and space are analyzed.