problem of the reader

The second part of the article is dedicated to the analysis of the key motive and thematic complexes together determining the peculiarity of the ‘soviet’ reality as artistic unity, actualized in the works by A. I. Solzhenitsyn and V. P. Aksyonov (written and published at the turn of the XX–XXIst centuries). The phenomenon of fear is considered in the line of the ideological foundation of the ‘soviet’ system.

The first part of the article deals with the definition and substantiation of the literary criticism task itself –a parallel analysis of the works of two significant writers in the Russian literary process. Another object is to identify the major perspectives of the philological examination in progress. The subject of this research is the texts by A. I. Solzhenitsyn and V. P. Aksyonov, written and published at the turn of the XX–XXI centuries.

Interaction between the author and «one’s own» reader inside the literary text (in broader meaning – the problem of the reader) is the main object of the following article. Philological analysis is based upon the prose works of Zakhar Prilepin. The main goal of the research is to determine the parameters of the author’s strategy which is personified in the fiction of the most popular Russian writers at the turn of the XX–XXIst centuries.

The article considers literary texts and diary entries Evgeny Grishkovets which establish close links between the World wide web and the forms of traditional literary publication. Pieces of literature created by the popular writer and blogger in the context of social networks designate significant trends and features of the Russian literary process of the beginning of the XXIst century. Philological analysis is focused on the problem of the reader (categories of the «real reader» and the «implicit reader») in the works by Evgeny Grishkovets.