Cite this article as:

Suvorov A. A. Zahar Prilepin’s «Boundary Lyricism»: the Author and the Reader in Prose Works of the turn of XX–XXIst centuries. Izvestiya of Saratov University. Philology. Journalism, 2016, vol. 16, iss. 3, pp. 326-?. DOI: https://doi.org/10.18500/1817-7115-2016-16-3-326-333

This is an open access article distributed under the terms of Creative Commons Attribution 4.0 International License (CC-BY 4.0).

Heading:

Literary criticism

Zahar Prilepin’s «Boundary Lyricism»: the Author and the Reader in Prose Works of the turn of XX–XXIst centuries

Interaction between the author and «one’s own» reader inside the literary text (in broader meaning – the problem of the reader) is the main object of the following article. Philological analysis is based upon the prose works of Zakhar Prilepin. The main goal of the research is to determine the parameters of the author’s strategy which is personified in the fiction of the most popular Russian writers at the turn of the XX–XXIst centuries.

Authors:

Suvorov

Andrey

Aleksandrovich

,

Saratov State University

,

Russia, 410012, Saratov, Astrakhanskaya street, 83

,

suvorov@list.ru

Key words:

problem of the reader, author in fiction, author’s strategy, interactive capacity of fiction, Zakhar Prilepin