подтекст

In A. P. Chekhov’s prose such characters as journalists, reporters, news reporters, newspaper readers, and newspaper contributions themselves are introduced. The type of Chekhov’s reporter is studied, whose stereotypical behavior and character become a specialty of a kind. With the transition from comic stories to the ‘dull stories’ of the characters, with the enhancement of the underlying message, the reporters with their single-line depiction disappear from Chekhov’s works.

The article uses the material of the autograph "Ode to Beethoven" to study the peculiarities of Mandelstam's work on the text of this poem. The motive composition of the final version and the cultural contexts that participate in the formation of the semantics of the poem are also taken into account.

The article studies the play poetics in I. Ilf, E. Petrov, V. Kataev’s play The Rich Bride. The role of the play is singled out on the level of character and action development, and the language strategies of the co-authors. The satirical (social and political) underlying message of the new time vaudeville is revealed, as well as the ambiguity in portraying the kolkhoz life of the 1930s in the play.