narrator

The article deals with the features of the narrative modality category in Pushkin’s prose fragments. It is concluded that the internal focalization and a homodiegetic narrator dominate in the fragments, the latter explicitly reveals himself through self-presentation. External focalization is actualized in the narrator with the help of the third-person narration. The narrator’s specific features comprise his omniscience of the hero’s steps and actions, and his ignorance of the hero’s inner world, emotions and feelings.

The article dwells on the problem of narrative structure in an aesthetic journalism work. The author proves that, contrary to the traditional views on the speech structure of aesthetic journalism, the narrator, the hero, and the author-creator of such works aesthetically do not correspond. The speech subject of aesthetic journalism is a special type of narrator, whose peculiarity is made up of the structurally manifested unmerging and inseparable bond with the author-creator.