memoirs

Derzhavin’s Reminiscences in the Poetic and Memoir Texts of A. Gorodnitsky

The article deals with the image of G.R. Derzhavin and the reminiscences from his works being researched in the songs, poems and books of recollections by the singer poet of the second half of the XXth century A. Gorodnitsky: the means and functions of their application, their relation to the pressing issues of today and to the images of the contemporary authors.

Memoirs Status in the XVIIth century French Literature

In the article the history of the memoirs genre formation is considered; and its peculiarities in the XVIIth century French literature are defined against the background of the political and spiritual situation development, as well as historic thought and the aesthetics of the period.

A Crimean page in the biography of Fet: Afanasy Fet and Xenophont Revelioti

The article deals with the study of the Crimean journey of A. A. Fet (September 25 – October 8, 1879). The introduction of unpublished materials (from the poet’s correspondence with X. Revelioti, A. Kazi, S. Argamakov, A. L. Brzheska, and M. K. Revelioti) into the scientific circulation allows us to clarify the chronology, circumstances, and content of the trip to the Crimea.

The memoirs of B. F. Egorov: Principles of the genre

B. F . Egorov is a philologist and a scientist whose creative work is closely related to Saratov University; he- attached great importance to diaries and memoirs as the most important sources for the reconstruction not only of historic events, but of the revival of spiritual biography of entire generations. The article analyzes the genre principles of B. F. Egorov’s memoirs.

Labour, spirituality, courage

A peer-reviewed two-volume book of the memoirs was written by a person passionate about his work. Real, genuine speech is heard here, giving away both a Moscovite, a scientist, and a personality with a magnificent sarcastic flair. The memoirs of V. S. Veselovskiy Problems of Our Life are one of the most informative, noticeable and interesting publications of this kind in the 21st century Russia, and they should be included in the mandatory reading list for the students of humanities.

ON. FIELD IN "MY LITERARY AND MORAL SCITTLEMENTS" А.А. GRIGORYEVA (1862-1864)

The proposed article is included in a series of articles under the general title "Creative Portrait of NA. Field in the literary memories of the 1850s - early 1860's. ", Already published in various scientific publications. Widely known memoirs of this period create a single historico-literary context with AI's literary criticism. Herzen, N.G. Chernyshevsky and A.V. Druzhinin, from the new, modern positions summed up in the middle of the century the results of the thirty-year development of Russian literature.

FROM THE CREATIVE HISTORY OF THE BOOK FETA "MY MEMORIES": THE BLACK COLUMN OF THE PLAN OF MEMOIRS

The article is devoted to an episode from the creative history of AA's memoirs. Feta, published and commented on a draft outline of the original plan of Fetov's memories. The study is based on handwritten sources, first introduced into scientific circulation.

I SHALL COME EARLY IN ETERNITY

FRENCH LITERATURE, Romanticism, SHATOBRIAN, memoirs, autobiography, THEME OF DEATH

Dostoevsky-Memoirist

The article deals with problems of terminological unity, forms and boundaries of «memoir» genre in modern literary criticism on the example of F. M. Dostoevsky’s works. A lot of his letters, «Writer’s Diary», and also many fragments of his novels are closely related to memoir genre. Thus the laws of memoir narration are revealed in these parts of Dostoevsky’s literary heritage different in genre nature, but entering the original interaction with their own genre’s principles. 

 

Cardinal de Retz and Niccolo Machiavelli’s Ideas (Based on Memoir)

The author considers how Nicollo Machiavelli’s ideas influenced Cardinal de Retz as the hero and the creator of the Memoirs (published in 1717). The author reveals the discrepancy between the memoir-writer’s proclaimed anti-Machiavellianism and his adoption of the ideas of the treatise Sovereign (1532). This discrepancy manifests itself on the level of the judgments and evaluations of the narrator, figures of speech, concept of the autobiographic hero.

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