Cite this article as:

Trubetskova E. G. CONSCIOUSNESS AS "OPTICAL INSTRUMENT": ABOUT VISUAL ESTHETICS V. NABOKOVA. Izvestiya of Saratov University. Philology. Journalism, 2010, vol. 10, iss. 3, pp. 63-?.

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Heading: 
Literary criticism

CONSCIOUSNESS AS "OPTICAL INSTRUMENT": ABOUT VISUAL ESTHETICS V. NABOKOVA

V. Nabokov's visual aesthetics is considered in the article as a reflection of the writer's philosophical indeterminism and is analyzed in the context of the optical experiments of the twentieth century art. A comparison is made of the visibility of Nabokov's prose with the aesthetics of photography.

 

Authors: 
Trubetskova
Elena
G.
,
Saratov State University
,
Russia, 410012, Saratov, Astrakhanskaya street, 83
,
etrubetskova@gmail.com
Key words: 
VISUAL AESTHETICS, case, INDETERMINISM, V. Nabokov, M. ECHER, B. LOUNI, AESTHETICS OF PHOTOGRAPHY
Literature

1 See: Sarraute N. L'ère du soupçon. Essais sur le roman. P.,
1956.
2 See: Robbe-Grillet A. Pour un nouveau roman. P., 1964.
3 See: French Literature, 1945-1990. M., 1995.
4 See: Robbe-Grillet A. La Jalousie. P., 1957.
5 See: Robbe-Grillet A. Dans le labyrinthe. P., 1963.
6 See: Sarraute N. Le Planétarium. P., 1959.
7 See: Butor M. L'Emploi du temps. P., 1956.
8 See: Butor M. La Modification. P., 1957.
9 See: Duras M. Moderato cantabile. P., 1958.
10 See: Simon C. Le Vent. Tentative de restitution d'un retable
baroque. P., 1957.
11 See: Simon C. L'Herbe. P., 1994 (first edition - 1958).
12 See: Pinget R. Le Fiston, P., 1959.
13 See: Ollier C. La mise en scène. P., 1958.
14 See: Robbe-Grillet A. La Maison de rendez-vous. P., 1981
(first edition - 1965).
15 See: Robbe-Grillet A. La Reprise. P., 2001.

 

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