Literary criticism

Writers About a Writer: Personality of Varlam Shalamov in the Works of Modern Authors

The article analyzes two works of the Russian literature – a short story by Irina Polyanskaya «A Quiet Room» and a short novel by Evgeny Fyodorov «Fried Rooster», which are related to the concept of V. T. Shalamov’s personality to a different degree of precision and depth.

«Righteous Word» of Boris Shergin

In the article the authors analyze specific features of the diary style of B. V. Shergin, who managed to preserve the seamless synthesis of live folk, literary and Church Slavic languages that allows to identify the true ‘inner form’ of the Russian self-recognition embedded in the word.

A. A. Ugrimov – the Critic of the First and Second Version of the «Nobel Lecture» of A. I. Solzhenitsyn

In the article the author addresses an unknown page in the life and ouevre of A. I. Solzhenitsyn associated with the criticism of the first and second versions of the text of his «Nobel lecture», which, at the request of the writer, was made by his associate and friend A. A. Ugrimov.

Labour Camp Theme for A. Solzhenitsyn and M. Prishvin

In the article the author considers Gulag theme on the material of A. I. Solzhenitsyn’s short story «One Day in the Life of Ivan Denisovich» and the novel by M. M. Prishvin «Tsar’s Road». The main characters of both writers remain free people despite their imprisonment. Common people, bearers of public morals, kept their souls pure through hardships, they are patient and hard-working, they abstain from evil, remain internally free in the atmosphere of the absence of freedom, preserving their name and their motherland

A Short Story by A. I. Solzhenitsyn «The New Generation»: From the Past to the Present

The article analyzes the ideas in A. I. Solzhenitsyn’s short story «The New Generation», the peculiarities of the conflict of tradition and innovation in post-revolutionary Russia (1920–1930s) and its relevance for modern Russia.

The Topic of Death in the Short Novel by A. I. Solzhenitsyn «Cancer Ward»

In the article the author regards different aspects of death perception artistically reconsidered by A. I. Solzhenitsyn in the short novel «Cancer Ward»; the spiritual vector of the novel is defined.

The Problem of Studying the Short Story «Matryona’s Home» by A. Solzhenitsyn in Secondary School

In the article the authors consider the stages of A. I. Solzhenitsyn’s texts being introduced in the school curriculum; key problems of studying «Matryona’s Home» in secondary school are identified: the incompatibility of the story with the age of the students, and their lack of cultural and historic facts necessary for a proper perception of the text.

‘Knots’ of History as Depicted by M. Aldanov and A. Solzhenitsyn

In the article the author carries out a comparative analysis of historic and philosophical concepts of M. Aldanov and A. Solzhenitsyn based on the novel «The Sources» and the narration within a measured time period «Red Wheel» («August 1914»). The issue of the role of an occasion in history and in the fate of one person is considered, as well as the comprehension of the ‘sources’ and consequences of the Russian revolution and the shift of the epic genre boundaries in the ХХ century literature.

«March 1917» by A. Solzhenitsyn: Proverbs and Sayings in the Structure of the Third Knot of «Red Wheel»

The article analyzes the place and the function of proverbs and sayings in the structure of the third Knot of the historic epic «Red Wheel» by A. I. Solzhenitsyn – the novel «March 1917».

Novel «The First Circle» in the Aspect of the Discursive Reflection of Concepts of the Russian Liberal Movement of the End of the XIIth and the Beginning of the XXth Centuries

The article dwells on the issue of how the ideas of the Russian liberal movement in the pre-October period are reflected in A. I. Solzhenitsyn’s novel «The First Circle». The author points out that those concepts are significantly meaningful in the conceptual structure of the novel; the interrelation of the concepts with the development of the theme of the Russian peasantry in this work by A. I. Solzhenitsyn is highlighted.

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