структура

The article analyzes the structure of B. Pasternak’s novel Doctor Zhivago as a ‘novel about a person’, the composition of the first book is deliberately studied on the level of the parts (seven parts) and chapters (123 chapters), which allows to picture the ‘idea of the whole’ novel more distinctly.

The article is dedicated to “Theatre de la Revolution” of R. Rolland – a cycle of plays about the French revolution of 1789, which is viewed in the aspect of the problem of the synthesis of the arts (in this case – the literary and musical arts). As a result of the analysis of «Theatre de la Revolution» poetics compared to the symphonic quality of Beethoven (who Rolland was guided by), the naturalness and the reasonableness of Rolland’s including the musical symphonic element in his dramaturgic cycle is proved.

The article contains the description of yet not thoroughly studied specific signs of a scientific
biography of a writer, its internal methodology, its source-based capacities, and basic principles of its structure.

In the article the time structure of the novel Doctor Zhivago is examined in the context of Pasternak’s idea of imaginative reality. Time in the novel is presented as a row of interlacing mutually defining layers: the author’s time, the time of lyrical affection, the time of the characters, the reader’s time, breakthroughs to the Eternity create a complex unity of the narrative structure.