reality

The article regards how the fantastic constituent is revealed on the plot, composition, and image levels of the text of The Tale of Igor’s Campaign.

The article focuses on Nabokov’s understanding Proust’s, Tolstoy’s and Chekhov’s metaphors as a way of passing from an objective to the subjective reality. The analogies with Nabokov’s perception of reality expressed in his art are drawn.

In the article the time structure of the novel Doctor Zhivago is examined in the context of Pasternak’s idea of imaginative reality. Time in the novel is presented as a row of interlacing mutually defining layers: the author’s time, the time of lyrical affection, the time of the characters, the reader’s time, breakthroughs to the Eternity create a complex unity of the narrative structure.