lyric poetry

The article studies the topic of music and its functioning in the poem by B. Poplavsky Dark Madonna. Its motivational and symbolic structure, as well as its composition and intertextual ties with the modernist poetry are considered. The article focuses on the description of the ‘spirit of music’ concept in the poet’s philosophy and its interpretation in the text of the miniature.

The article considers the techniques of formal organization of the transcendent lyric poetry and the peculiarity of its spatial structure. Different types of poetic transcendence are analyzed on the example of N. Gumilyov’s poems, their characteristic features are singled out.

The article considers communicative models of G. Ivanov’s lyric poetry and their transition from St. Petersburg period of work to that of the exile. An assumption is put forward that the change of the poems’ communicative structure can serve as one of the indicators of the individual style evolution.