дневник

John Woolman, an 18th century Quaker preacher, is known in the history of American literature for his spiritual autobiography titled The Journal (1774). The 1850–1940s is a period when Woolman’s autobiographical character attracts the attention of British and American critics and essay writers. They publish a signifi cant number of non-fi ction texts, which contain numerous elements of hagiography in Woolman’s portraiture, depicting him as a saintly proto-abolitionist fi gure.

The article attempts to consider how the Russian philosophical lyrics, copiously quoted in the pages of the newly-found diary of S.L. Frank, reflects the "history of the soul" of the young philosopher, reveals the innermost depths of the "spiritual life" of his author.

The article deals with problems of terminological unity, forms and boundaries of «memoir» genre in modern literary criticism on the example of F. M. Dostoevsky’s works. A lot of his letters, «Writer’s Diary», and also many fragments of his novels are closely related to memoir genre. Thus the laws of memoir narration are revealed in these parts of Dostoevsky’s literary heritage different in genre nature, but entering the original interaction with their own genre’s principles. 

The article considers questions related to the way cognitive mechanism of internalization functions when an individual is developing an identity, as well as means of this mechanism being verbalized in A. Schnitzler’s personal diaries.

In the present article it is attempted to substantiate analytically the elements of literary prototypical features of the title characters of M. Yu. Lermontov’s novel «Princess Ligovskaya» and the novel «A Hero of Our Time» as related to the main character of the novel by V. Ropshin «The Pale Horse». George’s individualism, the representative of the 1900s and the head of the terrorist group, goes back to the romantic individualism of Lermontov’s namesake hero and his follower – a «hero of the time».