composition

Poems of Goldfinch and Their Place in Mandelstam’s Second Voronezh Notebook. Article one

The article is devoted to Mandelstam’s unfinished cycle of goldfinch and its diverse connections to poems of the Second Voronezh Notebook. The author of the article reveals some hidden meanings of the goldfinch poems and connections within the central section of Voronezh Notebooks by analyzing the draft manuscript and the final version.

Uncollected Cycle by O. Mandelstam to the Memory of Andrey Bely (Problems of Composition and Genre)

The article focuses on the group of Mandelstam’s poems dedicated to Andrey Bely and shows that this group constitutes an uncollected cycle associated with the archaic attributes of the requiem genre. The analysis of the cycle composition leads to the assumption that variability becomes one of the cyclization factors here.

The «First Moscow Notebook» and the Issue of the Great Form in Mandelstam’s Poetry of the 1930s

The article deals with the issues of cyclization in Mandelstam’s poetry of the beginning of the 1930s, based on the materials of the «First Moscow notebook». The object of study is the hierarchy of different types of lyrical entities and some tendencies in the formation of the book of poems in the late works of Mandelstam.

Shipovnik (Rose Tree) Almanac: an Integrating Context (on the Material of the Third Book, 1908)

The article reveals external and internal factors contributing to the formation of an integrating context of the third book of Shipovnik Publishing House Literary-Artistic Almanac (1908): the design of the book and composition are being examined, the motives of the almanac’s texts are analyzed.

«Composition Carrying Towards the Ultimate Freedom»: To the Issue of the Point of View in A. I. Solzhenitsyn’s Novel «The First Circle»

The issue of the point of view in the composition of A. I. Solzhenitsyn’s novel «The First Circle» is regarded in the article by means of the structural analysis of its components based on the methodology by B. A. Uspensky.

Derzhavin before Derzhavin by Viktor Sosnora: the Potential the Genre and Composition Meaning

The article is dedicated to the poetics of a historic work by V. Sosnora Derzhavin before Derzhavin. The main focus is on the potential of the genre foundation (a cycle of essays) and composition meaning. Those are viewed as ways of creating a subjective author’s image of a historic figure – a poet and a statesman.

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